Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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Edgar Degas Dancers in Blue oil painting


Dancers in Blue
mk68 Pastel on paper Moscow Pushkin Museum c.1899 France
Painting ID::  30881
Edgar Degas
Dancers in Blue
mk68 Pastel on paper Moscow Pushkin Museum c.1899 France
   
   
     

Edgar Degas Details of The Rehearsal oil painting


Details of The Rehearsal
mk76 Painted probably in 1878-79 Oil on canvas 18 3/4x24in
Painting ID::  31848
Edgar Degas
Details of The Rehearsal
mk76 Painted probably in 1878-79 Oil on canvas 18 3/4x24in
   
   
     

Edgar Degas The Rehearsal oil painting


The Rehearsal
mk76 Painted probably in 1878-79 Oil on canvas 18 3/4x24in
Painting ID::  31849
Edgar Degas
The Rehearsal
mk76 Painted probably in 1878-79 Oil on canvas 18 3/4x24in
   
   
     

Edgar Degas Recreation by our Gallery oil painting


Recreation by our Gallery
mk79 About 1883
Painting ID::  32556
Edgar Degas
Recreation by our Gallery
mk79 About 1883
   
   
     

Edgar Degas Woman drying herself oil painting


Woman drying herself
mk85 c.1890-95
Painting ID::  33219
Edgar Degas
Woman drying herself
mk85 c.1890-95
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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